What’s Really Behind Art

When art was a fire, not a business—what changed, and why purpose now fades the moment money comes.

Once upon a time, artists painted until their hands bled and their stomachs starved. Van Gogh, for example, created over 900 paintings yet sold only one during his lifetime—The Red Vineyard—and that sale didn’t even come from him hustling on the streets. It was his brother Theo, an art dealer, who kept trying to place Vincent’s work in galleries. The truth is, Van Gogh wasn’t built for marketing. He wasn’t chasing profit. His art was too raw, too ahead of its time, and the world wasn’t ready.

The same could be said for many others: Schubert wrote over 600 pieces of music but lived and died poor, Beethoven carried more debts than applause. They didn’t treat their gift as merchandise. Their art wasn’t a product to scale—it was a fire that burned whether anyone cared or not.

Back then, when you asked a child:

What do you want to be when you grow up, and why?” the answers carried soul.

I want to become a doctor, to heal the sick.”

I want to become a teacher, to shape young minds.”

Now? The script has changed.

“I want to be like Taylor Swift—rich and famous.”

The why has been lost. The purpose swallowed by the spotlight.

This is what hides behind art today: performance dressed as meaning. Statements crafted for headlines. Activism turned into branding. Music released like products on a shelf.

Look at me, I sacrificed.” “Look at me, I took a stand.” But when the money comes, the cause they claimed to fight for fades away like icing on a cake.

And here’s the truth:

Real art doesn’t need a press release. Real art doesn’t have to tell you it’s profound. It simply exists, unpolished, burning, inconvenient, alive. You can feel it in your gut before you can explain it with words. That’s the difference between something created to be consumed and something created because it had to be born.

So the question is no longer “What do you want to be when you grow up?”

The real question is: “Why do you create at all?”

Because the spotlight dies when the crowd disappears. But fire, real fire, keeps burning even when no one is watching.

ᴛʸᵖⁱⁿᵍ ᴏᵘᵗ ᵒᶠ ᵗʰᵉ ʙˡᵘᵉ ᵈᵃʳᵉᵐ ᵐᵘˢⁱᶜ ᵇˡᵒᵍ

Bach: Gavotte en Rondeau (from Violin Partita No. 3, BWV 1006)—Transcribed for Guitar • Darem Placer
Bach and I on Guitar includes Bach’s Gavotte en Rondeau

The Price of a Song

They began as kids chasing noise and friendship. But when one song turned into fame and fortune, the music that bound them together became the very thing that tore them apart.

When fame and fortune test the bonds of friendship

At the start, a band is just a bunch of kids chasing noise. They play in cramped bars thick with cigarette smoke, sometimes for free, sometimes paid in beer and fries. They laugh about wrong notes, borrow each other’s gear, and dream of nothing more than the next gig. Music is friendship, pure and raw—a heartbeat shared through amplifiers.

Then lightning strikes. One song clicks. A record deal follows. Suddenly, their names are on posters, fans scream the lyrics back at them, and their track is climbing charts. They’ve become famous—a band the world now watches, but no longer just their own.

But fame brings fortune, and fortune brings questions. The same riffs and drum fills that once felt like gifts now look like debts unpaid. Who really “wrote” the song? Who deserves the biggest slice of the pie? That carefree brotherhood on stage slowly turns into cold meetings with lawyers, contracts replacing handshakes.

And this is the sad twist: the music that gave them everything also planted the seed of division. What once was just a jam for fun turns into a legal battle for millions. Maybe it was always inevitable. Because in the end, bands aren’t just playgrounds—they’re businesses. And nothing tests friendship like money. Nothing hurts more than realizing the friendship was the first thing lost.

𝚃𝚢𝚙𝚒𝚗𝚐 𝙾𝚞𝚝 𝚘𝚏 𝚝𝚑𝚎 𝙱𝚕𝚞𝚎 • 𝚍𝚊𝚛𝚎𝚖𝚙𝚕𝚊𝚌𝚎𝚛.𝚌𝚘𝚖