Death to Spotify: The Movement That’s Making Noise

A growing movement challenges the biggest music app on Earth—and calls on listeners to take music back.

There’s a new sound coming from Oakland—and it’s not another song. It’s a movement called “Death to Spotify.”

It started small: a few artists, DJs, and music lovers talking about life beyond the world’s biggest streaming app. Within weeks, the first gatherings sold out fast. The third event, held on September 30, 2025 at Bathers Library in Oakland, drew a full crowd, proving the movement was growing louder by the week.

Spotify just had its first profitable year—but it came with a catch. Songs with less than 1,000 streams no longer earn royalties. For many small artists, that means zero income. And when people learned that the company’s CEO also invested in military AI tech, frustration hit a deeper note.

The “Death to Spotify” gatherings talk about change:

• Supporting artists directly

• Building fairer platforms

• Taking music back from algorithms

We’re not anti-streaming—we’re anti-starvation,” said one indie label founder during the forum. That line became a kind of anthem in itself—a reminder that this isn’t about rejecting technology, but reclaiming dignity.

It’s not an easy fight. Listeners rely on Spotify daily. But this movement isn’t just about money—it’s about the loss of trust and the soul of music itself.

And behind that anger lies a chorus of deeper complaints:

• A payment system that only favors the top-streamed acts

• Controversial podcasts spreading misinformation

• Algorithms shaping art into predictable background noise

• Corporate control over data and creative space

• A moral clash between art and profit

After just three sessions, requests poured in from cities like Barcelona, Detroit, and Bangalore to host their own “Death to Spotify” talks. What began in a small Oakland room now hums like a global frequency—artists finding each other again, outside the algorithm.

Spotify insists it pays 70% of its revenue to rights holders. Yet the question echoes louder each day: If the artists keep struggling, who’s really winning?

Maybe what’s dying isn’t Spotify—it’s the illusion that convenience equals progress.

If you truly love music, pay attention to where your stream goes—and who it leaves behind.

Rising Above Limits • Darem Placer

Death to Spotify” isn’t the end of music—it’s the beginning of taking it back.

Boycott Spotify. Uninstall Spotify. Death to Spotify!

⌨ ᴛʸᵖⁱⁿᵍ ᴏᵘᵗ ᵒᶠ ᵗʰᵉ ʙˡᵘᵉ ᵈᵃʳᵉᵐ ᵐᵘˢⁱᶜ ᵇˡᵒᵍ

Listen on Apple Music, Apple Music Classical, and YouTube Music

Beyond the Clouds of Worries in the Moment includes Rising Above Limits

Stepping Down, Not Out

Spotify’s “new era” isn’t a change—it’s a costume. Titles shift, power stays, and the music world still bleeds quietly.

Daniel Ek Stepify.

On September 30, 2025, Spotify announced that Daniel Ek will step down as CEO on January 1, 2026, and transition into the role of Executive Chairman. The company said this move “formalizes how Spotify has successfully operated since 2023.”

Taking his place will be Gustav Söderström and Alex Norström, who will serve as co-CEOs. Söderström handles product and technology; Norström leads business and growth. Both have long worked under Ek’s direction, and both come from tech and business—not from music.

When the change takes effect, Ek will remain in control of Spotify’s broader strategy from a higher seat, still shaping where the company goes next.

For indie artists, that reality doesn’t bring hope. Royalties stay small, and Spotify’s algorithms and playlists still favor major-label artists—the same names recycled across curated lists and discovery feeds. This leadership shuffle? It’s just another headline meant to make people think something’s different.

Spotify started by finding artists first—telling them, “join us, reach the world.” But once the major labels stepped in, the story flipped. The same independent artists who helped build the platform became its ladder—stepped on so the giants could climb higher. The whole “artists first” promise? Just a marketing strategy.

Now Ek’s focus is somewhere else—on Helsing’s CA-1 Europa, the new AI-powered combat aircraft his defense company just revealed. It’s sleek, self-thinking, and it listens better than the artists who made him rich.

He’d rather hear Helsing’s CA-1 than the voices of underpaid artists.

Spotify once promised connection, but it was never about that. It was about conversion—streams to ads, plays to profit. The people making the music get crumbs, while the boardroom keeps getting louder.

Music used to move the world.
Now it’s just another product in the cart.

And this “new leadership”? It’s nothing but PR—meant to lure back those who left and keep fooling those still willing to believe the pitch.

Boycott Spotify. Uninstall Spotify. What’s next—wait for the war?

Just Wait and You Will Still Wait • Darem Placer

Listen on Apple Music and YouTube Music

The Piano Outside includes Just Wait and You Will Still Wait

ᴛʸᵖⁱⁿᵍ ᴏᵘᵗ ᵒᶠ ᵗʰᵉ ʙˡᵘᵉ ᵈᵃʳᵉᵐ ᵐᵘˢⁱᶜ ᵇˡᵒᵍ