When the Rhythm Grew Deeper

A genre born for the dance floor slowly found a much larger conversation waiting for it.

Reggae was born in Jamaica in the late 1960s, emerging from the energetic rhythms of ska and the slower grooves of rocksteady. The island was young in its independence but still wrestling with poverty, inequality, political tensions, and questions about identity and the future. Those realities soon found their way into the music.

As reggae grew, it carried songs about struggle and hope, resistance and resilience, faith and humanity. It spoke of freedom without forgetting responsibility, and of hardship without losing sight of better days. Some songs challenged injustice. Others celebrated community, love, and everyday life. Over time, reggae became closely associated with conversations about dignity, identity, spirituality, and the human experience itself.

Ironically, the song that helped give reggae its name was not a protest anthem at all. In 1968, Toots and the Maytals released Do the Reggay, a lively dance tune inviting people to join a new musical craze. The genre that would later become closely associated with conversations about justice, resistance, and humanity began with an invitation to dance.

What began as music to move the feet gradually became music that moved something deeper.

Toots Hibbert and Toots and the Maytals are widely regarded as among the first reggae artists, and their 1968 song Do the Reggay helped give the genre its name.

⌨ ᴛʸᵖⁱⁿᵍ ᴏᵘᵗ ᵒᶠ ᵗʰᵉ ʙˡᵘᵉ ᵈᵃʳᵉᵐ ᵐᵘˢⁱᶜ ᵇˡᵒᵍ